My research directed me to focus on the craft of trees of life and the intricate designs of Talavera pottery. Making a mould of a very intricate tree of life proved to be hard and making a successful cast from that mould proved to be even harder. The mould itself had to be shaven down and become less detailed, making it look different from the original model I had made. In order to make up time from the many failed casts, I opted to glaze my tree of life with simplified colors to further emphasize the connection to the Talavera face plate I had printed. The Talavera design on the face plate also had to be simplified, as I had difficulties finding a way to recreate a colorful design. With this decision, I had let go of the vibrant and traditional colors that are very prominent in Mexican pottery for both pieces. The task of creating a successful casted piece became a huge trial-and-error process that demanded more technique and time than I had anticipated. I wondered if I was too ambitious with the mould, but I learned how to make the cast successful several times without being so time-consuming..

